The rhythm,the moves,the grace,the smile &....the face that spells magic!!

Her countdown to the numero uno position started with Ek do teen (Tezaab)...literally! with the youngsters swooning over her moves in Humko aajkal hai intezaar (Sailaab) looking endearing in her fisher women's costumes in her full maharastrian mulgi avatar..Giving a new meaning to the term 'seduction' with her 'heaving' number in Dhak dhak karne laga (Beta), she hit the moral police hard with her raunchy number Choli ke peeche kya hai ( Khal Nayak),but much to the censor board's dismay,the number instantly became a sensation and a crowd puller as well...bringing back the family audience flocking to the theaters with her mesmerising charm with Didi tera devar deewana (Hum Apke Hain Koun)..There's no one like her who could express brilliantly with her eyes and her face, Channe ke khet mein (Anjaam) was a testimony to that..she followed it up with her spunky 'eye rolling' gestures in Akhiyaan Milaaon (Raja) and proving once again that she's equally comfortable gyrating in ethnic as well as contemporary ensembles with the chartbuster Mera piya ghar aaya (Yaarana)..One of her most dynamic display of her dancing skills would undoubtedly be the most under rated number of her career Saanson ki maala pe (Koyla), because the very same year,she set the screen on fire with her moves in Dil to pagal hai..With both Amitabh Bacchan and Govinda drooling over her in Makhna (Bade Miya Chote Miyaan), she proved her dancing prowess yet again by matching steps with Prabhu Deva in the scintillating number Kay Sera Sera (Pukar) and Badi Mushkil (Lajja) and last but not the least,she transformed into a legend with her classic Chandramukhi act in Devdas.....and as they say, the legend continues...