Showing posts with label Aparna Sen. Show all posts
Showing posts with label Aparna Sen. Show all posts

Sunday, May 1, 2011

IMMORTALISING THE ROLES THEY PORTRAYED.....

I ve been an immense movie lover since god knows how long and then thr were those characters,those protagonists that ve stayed on my mind forever....here's bringing some of the classic well sketched,brilliantly enacted roles from world cinema....

KARUNA BANERJEE (Sarbajaya) Pather panchali

Eyes that speaks volume,a housewife dealing with the constant worries of feeding her children,of her husband's return from the city,of her fear of living in a dilapidated house...she scrimps and saves and struggles to bring up her children Apu & Durga while keeping eye on the troublesome,senile aunt...she's irritable,worn down by work & injured pride..Undoubtedly,a standout performance in the history of indian cinema..









APARNA SEN (Sarojini Gupta) Unishe April

'Draupadi ke dekhle shob purush maanush e henglaami korto,sheta oshobbhota noy?' ..Now who could say a dialogue like this with as much gutso,as much flamboyance as Aparna Sen's! Everytime i watch the film and i watch her stature,her enigma and her persona,often turning herself witty instead of caricaturing it,..it amazes me,surprises me,compels me to watch the film over and over again,only because of her..Hats off to Rituparno Ghosh for perfectly blending into her the emotions of a mother as well as the personality of a dancer,someone who's dedication to her art is evident in every frame..

MERYL STREEP (Sophie) Sophie's Choice

Meryl streep surprises me everytime i watch a flick of hers and this one's truely one of her best written roles..This was a film which made her go thru several nuances portraying the various shades of her character through different time periods,from a young polish girl,pathetic concentration camp prisoner,mortally ill immigrant to a healthy & seemingly glamorous woman at the end,cruising thru different segments requiring her to speak in Polish,German and broken english,not even going out of sync for once, making it an overwhelming experience casting a powerful,uninterrupted spell with this Oscar winning performance!!

SHABANA AZMI (Pooja) Arth

Directed by Mahesh Bhatt,Arth was about a woman's search for her identity..Shabana Azmi bringing into life the helplessness,pain,solitude of a woman cheated by her husband..Being an orphan she knows she has no where else to go,but she dares to move out of her husband's house,taking accomodation in a ladies' hostel,surviving thru the clutches of some goons,finding for a job,getting drunk at a party and lurching at the 'other woman',Shabana enacts the role with full sincerity that too at the inital phase of her career!..Watch with breathless abandon the emotions which fleet across her face!

JULIA ROBERTS (Erin) Erin Brokovich

She's sassy,she's fun,she's cool,ve no control over her language,a single mom raising her kids,unemployed and single handedly bringing down a California power company accused of polluting a city's water supply...Based on a real life story,Roberts plays the role to the hilt! I guess one more reason why her performance stands out in the film is because she carried a serious role with much more lesser weight without any excess baggage and with a whiff of fresh air!






UTTAM KUMAR (Arindam Mukherji) Nayok

Uttam kr. did only two films with Ray (the other one being Chiriyakhana),and both of them turned out to be his career's bests..Nayak is a one day journey into the life & mind of a Superstar,coincidently matching up to the charisma of maha nayok Uttam kr..Ray had himself said in an interview that he could not think of any other actor for this part..An actor's life being always out in the public view,his mistakes,his choices,his compromises,his principles,the thin line between right and wrong has been beautifuly brought out by the bravura performance by Uttam kr. ...

CHUNIBALA DEVI (Indir Thakuron) Pather Panchali

The 80 yr old theatre actress played the role of the old senile aunt in this epic movie..But everytime i watch the film,it makes me wonder,does Ray really directed her the shots or simply asked her to be herself through each and every frame? right from her excitement on seeing the fruits brought by Durga,to leaving the house with her belongings to the final shot where her head stucks the ground as soon as she dies..the face,the smile and the crankiness leaves on with u forever! Brilliant would be an understatement!

TOM HANKS (title role) Forrest Gump

Just loved Hanks in this one (some percent more than Philadelphiae) with his sweet, innocent, boyish charm (sort of a goofy everyman), playing a character over three decades, of a man with an IQ of only 75 showing any of us can make it if we simply persist!!











INGRID BERGMAN/LIV ULLMAN (Charlotte/Eva) Autumn Sonata

This one turns out to be one of my favourite because of the two superbly talented actresses portraying an emotionally and physically distant mother and daughter in this stunningly accomplished chamber drama from Ingmer Bergman,specially from Ingrid Bergman portraying a self involved woman with great musical talent hopping from cheeriness to tears to agony and to final escape..Her performance,when put in perspective (she was dealing with breast cancer throughout the shooting) is simply amazing!!

MERYL STREEP (Miranda Priestly) Devil Wears Prada

There are stars and then,there are The Stars! but no one can ever ever match up to the histrionics of Meryl Streep..She's the devil,She's the dragon lady,She's thy arrogance!,She's in vogue and She's 'The Boss from hell' in this witty,slick,glossy,'in vogue',fun film by David Frankel...Her poise,her stature,the way she spoke and then 'the looks that could kill'...impeccable !! Streep alone makes the film a million time watch for me....THATS ALL ;) !!

VIVIEN LEIGH (Scarlett) Gone With the Wind

Its still touted as one of the epic films in the history of world cinema based on an epic novel..following the love affair between a manipulative woman and a roguish man during the civil war and reconstruction..and the film belongs to Vivien,hands down! She plays a scheming,selfish,spoilt rich woman who does everything to get what she wants including marrying someone for money as well as her own benefit...She is undoubtedly the best thing in the movie...to make u fall in love with a character like her is a tough job to do and she did that so effortlessly.One of the boldest performances i ve come across onscreen!

SUSAN SARANDON/JULIA ROBERTS (Jackie/Isabel) Stepmom

It might not be an out and out favourite for many of the arty kinda movie buffers but these two still remains my favourite, mostly because of their electrifying camaraderie onscreen so much so that lead actor Ed Harris gets completely sidelined..





SUCHITRA SEN (Archana) Saat Paake Baadha

Of all her films,this one remains one of  my personal favourite.She sashyed into the mould of Archana completely.You could relate to her helplessness,the complexities of her situation,being torn between her over bearing mother and her egoistic husband, completely overshadowing Soumitra Chatterjee with her mesmerising performance fetching her the Best Actress award at the Moscow Film Festival





SHABANA AZMI (Rukmini bai) Mandi

For me this one's Shyam Benegal's best work..based on a short urdu story 'Anandi' by Ghulam Abbas,its a 'satirical comedy' set up in a brothel inhabited by a bunch of prostitutes led by the madame Rukmini bai (Shabana Azmi).Azmi plays the domineering,crude,selfish and at the same time caring madame of the house,unrestrained and subtle at the same time..For this role,she had put on weight,learnt the kolhapuri accent and visited one of the famous 'kothas' of hyderabad to get into the skin of her character..Her loud tone,unrefined mannerisms,the way she wears & reveals her sari,the way she walks...are fantastically done.She's screaming at one point while being funny or emotionally sentimental in another,switching moods from angry to happy to funny to caring...What a screen presence! Phenomenol!


TO BE CONTINUED.....

Wednesday, April 13, 2011

36 CHOWRINGHEE LANE....A film by Aparna Sen

Never before had Indian cinema witnessed a film so soulful & poignant based on an Anglo Indian protagonist.Yes,references were there in the past,but those were merely to fill the absence of British actors.Aparna Sen,daughter of veteran film maker & critic Chidananda Dasgupta,made her debut into bengali films through Satyajit Ray's Teen Kanya (Samapti) & went on to become one of the finest actors of indian cinema.In the year 1981 she made her foray into film direction with 36 chowringee lane.Based on her self written story & screenplay,36 chowringee lane is about a middle aged Anglo Indian school teacher &.....just about her..& it is here,in this very aspect where the film touches the core of your heart.Sen did not attempt to make a film on the problems faced by Anglo indians in post independent India,nor did she tried to make a docu drama/thesis on the community,which is evident from the first frame itself.Sen had sketched out the content,plots & the characters of the film based entirley on her own imagination & these small small fragments of incidents encircle around the life of Violet Stoneham (Jennifer Kapoor).

Violet is a middle aged Anglo indian lady teaching Shakespeare to a bunch of disinterested girls in a local convent school.She stays in a small flat with a cat as her sole friend.Letters & post cards coming from long distant relatives & friends & weekly visits to her brother Eddie staying in an old age home giving some solace to her otherwise uneventful life.A chance encounter with an ex student Nandita (Debashree Roy) & her boyfriend Samaresh ( Dhritiman Chatterjee) brings a fresh lease of life into her dull existence.


With the help of moving shots and camera work ( brilliant work by Ashok Mehta),Sen has marvelously captured the everyday existence of Violet.Even after living in a city for so long & loving it in her own way,she still is far from attached to it..from the people,from the crowd,from the culture.But there's not even a single instance where her loneliness has been exaggerated or 'created' to evoke sympathy from the viewers,so much so that there's not even a single scene where she is seen complaining of her loneliness.The sounds of the cramped lift,of the clackering dishes in the kitchen,radio transistors playing hindi songs in a nearby apartment,the fading evening dim lights enveloping the room,the flickering of the lamp,her frequent going into reverie while reading the letters,..her long,frequent close up shots...gives us a vivid image of loneliness that surrounds the life of this middle aged Anglo indian woman....But Sen shows her loneliness with dignity & diligently ensures perfect visual sense out of each and every scene..,and thats where the movie is a winner!


When Violet's life is going thru the same daily routine of going & coming back from school,teaching Shakespeare,climbing up the stairs,checking her letter box,feeding her cat,seeing old pictures,writing to her niece Rosemary,a quite meal by herself,visiting her brother Eddy (played by Jennifer's real life brother Geoffrey Kendal),...comes Samaresh and Nandita,the bengali couple who were looking for a perfect hideaway for their escapades at Violet's home in 36 Chowringee lane & Violet begins to enjoy the company of the two with usual outings to movie theatres,victoria memorial etc..

Also the dream sequence has been shot brilliantly (in a bergman style)

Jennifer Kendal Kapoor (late wife of Shashi kapoor) essaying  the role of Stoneham undoubtedly turns out to be one of the best to come across in Indian cinema.Being a veteran stage artist herself,her rendition of Sen's Stoneham filled with solitude,angst,frustration and misery deserves nothing less than a standing ovation!!

The film boasts of some marvellous scenes to cherish forever...
a)Violet's peeking into Samaresh's party thru the window pane where she realizes that every bonding,every human relationship is nothing but just a matter of 'give and take'..once the utility is over,a relation is also over...
b)Violet coming home early one windy afternoon,finding the door open and watching the couple kissing in front of her, reminding her of her own youth...
c) But the image that will always haunt me is that of Violet trailing along the streets by the sides of Victoria memorial,reciting Shakespeare all by herself  with a dog as a company,holding the tin box in her hands with a bewildered expression on her face!!The message is simple 'Life moves on'...

My final word of praise remains only for Aparna Sen,for executing and bringing into life the subject of loneliness with such brilliance that you wonder its her debut film as a director! She deserves all the laurels she garnered for this gem of a masterpiece!


P.S. : I hated the National Film awards jury that year for overlooking Jennifer's performance for 36 Chowringee Lane,and giving away the Best Actress award to Rekha for Umraao Jaan!!! 

Friday, April 8, 2011

TITLI - The First Monsoon Day

Way back in the early ninties,Rituparno Ghosh depicted the embittered relationship between a mother-daughter splendidly in his second film UNISHE APRIL,in 2002 he teamed up with the real life mother-daughter duo (Aparna Sen and Konkona Sen Sharma) and gave us a film with the same theme but in a different view altogether.
What really makes this film a million time watch (atleast for me) is the sheer innocence of the subject just as the title of the film itself..The innocence of a teenage girl,the first crush(for a bollywood matinee idol), the sensitivity of handling a relationship,the twist in the mother daughter relationship as well as the beauty of The first monsoon & the beauty of nature has been projected brilliantly by the director.
It essays the story of a teenage girl Titli (played by Konkona) who is infatuated (or as she says,in love) with a silver screen idol Rohit Roy (played by Mithun).Her bedroom is filled with his cutouts & posters & she is so obssessd with him that the idea of marrying him doesnt seem unusual to her at all,much to the surprise of her mother Urmila (played by Aparna Sen).But it is just not a film about an adolescent swooning over a film star.A chance,unexpected incident of meeting the film star while heading on her way to receive her father from the airport along with her mother & a twist in a personal relationship which brings her face to face with a harsh reality,transforms her into a girl-woman.
This is Rituparno's first outdoor film & hence nature plays a big catalyst with the going ons in the film..The dense morning fog,the lush green mountains of Darjeeling,the toy trains traversing its way through the zig zag paths,the first monsoon day (Asharasya prathama divasa),the Buddhist monastries,poetry & music churns out a world of innocence & romance blending together with the right essence.
Its hard to find another film which has presented a real life parent-child duo so brilliantly & effectively on celluloid (i dont find the same between Amitabh Bacchan & Abhishek!)..Their bonding,their interaction,their closeness,the talks..like their conversation at the dining table regarding Titli's wish to marry a film star,their conversation in the jeep while on their way to the airport (which starts from Titli asking her mother to keep her hair open instead of bunning it,to the choice of songs,Aparna capturing a nostalgic moment talking about her crush Rajesh Khanna coinciding with the song which Titli asks the driver to play,Aparna reminiscing an almost ghostly incident!, to Titli's concern for her grand daughter which might look like an ape!)...all such conversations had been dealt so effectively that i wonder wheather it was Rituparno's script or he simply asked the duo to talk on their own while he just captured their moments on camera!


As previously mentioned,the director has brilliantly used poetry & music to capture the innocence as well as the romance between the characters.Aparna quotes from the lines of Shakti  Chattopadhyay's famous poem Abani Baari Aacho?,quoting a line from Kalidas's Meghdootam,Aparna & Mithun wandering along the greenery amidst the fog & the former sings a Rabindra sangeet.But one of my best moment in the film is where Aparna recites an entire poem from Tagore's SANCHAITA......
Aamra dujon ekti gaaye thaki,
shei aamader ekti matro shukh.
taader gaache gaaye je doyel paakhi,
taahar gaane aamar naache buk.
taahar duti paalon kora bhera,
chore beraay moder botomule,
jodi bhaange aamar kheter bera,
koler pore niy taahare tule.
                        aamader ei graamer naam ti khonjona,
             aamader ei nodir naam ti anjona,
                          aamar naam to jaane gaayer paanch jone,
                         aamader shei taahar naam ti ronjona.......
The USP of  Rituparno's films are the small small intricate moments that he captures & Titli is filled with such beautiful moments that nowhere seems out of place or over the top...for example Titli hugging her mother tightly feeling her essence, telling her mother how beautiful she looks when she dresses up,..or the scene where Aparna's  reciting a poem for her husband (played by Dipankar) while the husband is already fast asleep,snoring at that!...she turns around,looks into a framed phorograph of her marital life and heaves out a sigh while at the same time the sweet & simple bonding she shares with the same person!
One more aspect of the film which i feel has been shown so wonderfully is the relationship between Aparna Sen & Mithun.It feels strange for anyone for sure,to come face to face with an ex-boyfriend after 17-18 yrs! But the maturity and the sensitivity with which Aparna handles the entire pace with Mithun with such dignity,grace and a poise,without any hard feelings,without any disappointments,feeling the same concern for him but not as a lover,but as a friend,as someone she had known many years ago.

Konkona epitomizes the word 'Titli' with her spunkiness  in the first half & with her silence in the latter part when she becomes aware of the hidden truth,slowly turning her from a moth to a butterfly! 
The Aparna Sen of Unishe april is poles apart from the Aparna Sen in Titli..While in Unishe april she was a proffesional Bharatnatyam dancer who's dedication to her art,her field, formed the basic core of her life besides anything else...in Titli,she plays a girl in love who had to silently bear the pain of marrying someone her parents had chosen,a dotted (pullover sewing) housewife,and a mother who's more a friend,a confidant to her daughter,someone who could relate to her child's pain with her own.
Nature has'nt been so effectively used in any other film (during the time when this film got released) and the final laudatory words must be in favour of the excellent cinematography by Abhik Mukherjee...

The Changing moods of Monsoon accentuates the Changing moods of Human minds!!!